Waldorf Pulse
1996, Full Midi, rack-mounted monophonic analogue synthesizer.

A very clean and controlled but proper warm analogue sounding synth. I mainly use the basses and bottom end on this, some sounds come accross very vintage especially using subtle amounts of white noise to add grain to the sound. Apparently NIN have used this synth and I can totally understand that on account of NIN's clean choppy synth basses.
The Pulse also has an ability to create huge phase disorted basses that sound like they are being rammed through a hard limiter to the point of obliterating the sound, great for nu skool or dnb type sounds.
The top end lead sounds are often a little too clean for me, sounding too tight and almost digital in places. Likewise with the resonance of which I think sounds too clean when used out front. Perhaps it's the accuracy of the electronics which I feel detracts from the character in certain situations.
All taken into account it is a great monosynth but, to me, not in the same sound category as older analogues. Perhaps somewhere between the old and the new. As with anything; you use it for what it is good at.
Keyboards / Synthesizers
- Casio CZ1000
- Kawai K1r
- Oberheim Matrix 1000
- Roland Jupiter 6
- Roland Juno 106
- Roland MC-202
- SCI Sixtrak
- Waldorf Pulse
- Yamaha DX7
- Yamaha SY-55
Drum Machines
Sequencing / Mixing
- Alesis Monitor One
- Alesis Point Seven
- Alesis 3630 Comp/Gate
- Behringer 4xGate
- LA Audio 4x4 Comp/Gate
- Mackie SR 24:4
- Steinberg Cubase 4
Samplers / Multitrack
- Akai S3000xl
- Akai S01
- Fostex MR-8
Effects Units
- Alesis Midiverb 4
- Alesis Quadraverb (x2)
- Alesis Microverb II
- Peavey DSR1000
- Boss RV1000
Other Stuff
- Samson Condensor Mic
- AKG Dynamic Mic
- Dean Bass Guitar
- Yamaha Pacifica 6 string
- Roland HandyPad
- Assorted Percussion
To listen to some of my music: Music / Audio Files